Visual Learning Bibliography

A Working Bibliography of Visual Thinking / Knowledge / Learning

 

Allen, Richard, “Looking at Motion Pictures”, Film-Philosophy, vol. 5, no. 25, August 2001.  , rev. version of the chapter in Richard Allen and Murray Smith (eds.), Film Theory and Philosophy, Oxford:
Clarendon Press, 1997. LINK

Arnheim, Rudolf, Film als Kunst (1932), with contemporary reviews, and an epilogue by Karl Prümm, Frankfurt/M.: Suhrkamp, 2002. – Film as Art, Berkeley: University of California Press, 1957.

Arnheim, Rudolf, Art and Visual Perception: A Psychology of the Creative Eye (1954). Expanded and revised edition, Berkeley: University of California Press, 1974.

Arnheim, Rudolf, Visual Thinking, Berkeley: University of California Press, 1969.

Balázs, Béla, Der sichtbare Mensch oder die Kultur des Films (1924), with contemporary reviews by Robert Musil, Andor Kraszna-Krausz, Siegfried Kracauer, Erich Kästner, and an epilogue by Helmut H. Diederichs, Frankfurt/M.: Suhrkamp, 2001.

Balázs, Béla, Der Geist des Films (1930) , with contemporary reviews by Siegfried Kracauer and Rudolf Arnheim, and an epilogue by Hanno Loewy, Frankfurt/M.: Suhrkamp, 2001.

Balázs Béla, Filmkultúra (A film művészetfilozófiája), Budapest: Szikra, 1948.

Balthasar, Hans Urs von, Herrlichkeit: Eine theologische Ästhetik, Bd. I: Schau der Gestalt (1961), 3. Aufl. Einsiedeln: Johannes Verlag, 1988.

Barker, Jennifer M., The Tactile Eye: Touch and the Cinematic Experience, Berkeley: University of California Press, 2009.

Bartlett, F. C., Remembering, Cambridge: Cambridge University Press, 1932, esp. ch. III (“Experiments on Imaging”), ch. VI (“The Method of Picture Writing”), and ch. XI (“Images and their Functions”).

Belting, Hans, Bild und Kult: Eine Geschichte des Bildes vor dem Zeitalter der Kunst, München: C. H. Beck, 1990. – Kép és kultusz, Budapest: Balassi Kiadó, 2000.

Belting, Hans, Bild-Anthropologie: Entwürfe für eine Bildwissenschaft, München: Wilhelm Fink Verlag, 2001.

Bennett, John G., “Depiction and Convention”, The Monist, vol. 58, no. 2, April 1974.

Berger, Arthur Asa, Seeing Is Believing: An Introduction to Visual  Communication, Mountain View, CA: Mayfield, 1989.

Bergmann, Sigurd, In the Beginning Is the Icon: A Liberative Theology of Images, Visual Arts and Culture, London: Equinox, 2009. (Translated from the 2003 Swedish edition.)

Berndt, Jaqueline – Steffi Richter (eds.), Reading Manga: Local and Global Perceptions of Japanese Comics, Leipzig: Leipziger Universitätsverlag, 2006.

Beyer, Andreas – Markus Lohoff (eds.), Bild und Erkenntnis: Formen und Funktionen des Bildes in Wissenschaft und Technik, München – Berlin: RWTH Aachen and Deutscher Kunstverlag, 2005.

Blinder, David, “In Defense of Pictorial Mimesis”, Journal of Aesthetics and Art Criticism, vol. 45, no. 1 (1986).

Block, Ned, “Mental Pictures and Cognitive Science”, The Philosophical Review, vol. 92, no. 4 (Oct. 1983), pp. 499–541.

Block, Ned (ed.), Imagery, Cambridge, MA: The MIT Press, 1981.

Bordwell, David, Narration in the Fiction Film, Madison, WI: The University of
Wisconsin Press, 1985. – Elbeszélés a játékfilmben, transl. by Andrea Pócsik, Budapest: Magyar Filmintézet, 1996.

Bordwell, David, On the History of Film Style, Cambridge, MA: Harvard University Press, 1997.

Braun, Lucien, Iconographie et philosophie I–II, Strasbourg: Presses Universitaires de Strasbourg, 1994/1996.

Breidbach, Olaf – Karl Clausberg (eds.), Video ergo sum: Repräsentation nach innen und außen zwischen Kunst- und Neurowissenschaften, Hamburg: Verlag Hans-Bredow-Institut, 1999.

Buswell, Guy Thomas, How People Look at Pictures: A Study of the Psychology of Perception in Art, Chicago, IL: The University of Chicago Press, 1935.

Carroll, Noël – Jinhee Choi (eds.), Philosophy of Film and Motion Pictures: An
Anthology, Malden, MA: Blackwell Publishing, 2006.

Cavell, Stanley, The World Viewed: Reflections on the Ontology of Film (1971), enlarged edition, Cambridge, MA: Harvard University Press, 1979.

Currie, Gregory, Image and Mind: Film, Philosophy and Cognitive Science, New York: Cambridge University Press, 1995.

Danto, Arthur C., “Moving Pictures”, Quarterly Review of Film Studies, vol. 4, no. 1 (Winter 1979), pp. 1–21, repr. in Carroll–Choi (eds.), cf. above.

Danto, Arthur C., “Depiction and Description”, Philosophy and Phenomenological Research, vol. XLIII, no.1 (Sept. 1982).

Daston, Lorraine – Peter Galison, “The Image of Objectivity”, Representations 40. Special Issue: Seeing Science (Autumn, 1992), pp. 81–128.

Daston, Lorraine – Peter Galison, Objectivity, New York: Zone Books, 2007.

Deleuze, Gilles, Cinéma 1: L’image-mouvement, Paris: Les Editions de Minuit, 1983.

Deleuze, Gilles, Cinéma 2: L’image-temps, Paris: Les Editions de Minuit, 1985.

Dillenberger, John, A Theology of Artistic Sensibilities: The Visual Arts and the Church (1986), Eugene, OR: Wipf and Stock Publishers, 2004.

Diller, H., “Zum Gebrauch von eidos und idea in vorplatonischer Zeit”, in: H. H. Eulner et al. (eds.), Medizingeschichte in unserer Zeit, Stuttgart: 1971, pp. 23–30.

Donald, Merlin, Origins of the Modern Mind: Three Stages in the Evolution of Culture and Cognition, Cambridge, MA: 1991. Hungarian translation: Az emberi gondolkodás eredete, transl. by Eszter Kárpáti, Budapest: Osiris, 2001.

Dondis, Donis A., A Primer of Visual Literacy, Cambridge, Mass.: MIT, 1973.

Dreyfuss, Henry, Symbol Sourcebook: An Authoritative Guide to International Graphic Symbols, New York: McGraw-Hill, 1972.

D’Ydewalle, Géry – Geert Desmet – Johan Van Rensbergen, “Film Perception: The Processing of Film Cuts”, in: G. Underwood (ed.), Eye Guidance in Reading and Scene Perception, Oxford: Elsevier, 1998.

Eisner, Will, Comics and Sequential Art (1985), Tamarac, FL: Poorhouse Press, 1990.

Elkins, James (ed.), Visual Practices Across the University, München: Wilhelm Fink, 2007.

Evdokimov, Paul, The Art of the Icon: A Theology of Beauty (translation of L’Art de L’Icône: Théologie de la Beauté, Paris: Desclée De Brouwer, 1972), transl. by Fr. Steven Bigham. Redondo Beach, CA: Oakwood Publications, 1990.

Freedberg, David, The Power of Images: Studies in the History and Theory of Response, Chicago: University of Chicago Press, 1989.

Freedberg, David, The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History, Chicago: The University of Chicago Press, 2002.
Freeland, Cynthia A. – Thomas E. Wartenberg (eds.), Philosophy and Film, New York: Routledge, 1995.

Freeland, Guy – Anthony Corones (eds.), 1543 and All That: Image and Word, Change and Continuity in the Proto-Scientific Revolution, Dordrecht: Kluwer, 2000.

Fuller, Peter, Images of God: The Consolations of Lost Illusions (1985), London: The Hogarth Press, 1990.

Gelernter, David Hillel, Judaism: A Way of Being, New Haven: Yale University Press, Nov. 2009.

Genova, Judith, “Wittgenstein on Thinking: Words or Pictures?” In: R. Casati – G. White (eds.), Philosophy and the Cognitive Sciences, Kirchberg am Wechsel: ÖLWG, 1993, pp.163-167.

Germeys, Filip – Géry d’Ydewalle, “The Psychology of Film: Perceiving Beyond the Cut”, Psychological Research, vol. 71, issue 4 (2007), pp. 458–466.

Gilson, Etienne, Painting and Reality, New York: Pantheon Books, 1957.

Goldsmith, Evelyn, Research into Illustration: An Approach and a Review, Cambridge: Cambridge University Press, 1984.

Gombrich, E. H., Art and Illusion: A Study in the Psychology of Pictorial Representation, London: Phaidon Press, 1960.

Gombrich, E. H., “Moment and Movement in Art”, Journal of the Warburg and
Courtauld Institutes, XXVII (1964), pp. 293–306.

Gombrich, E. H., “Visual Discovery through Art” (1965), repr. in: James Hogg (ed.), Psychology and the Visual Arts, Harmondsworth, Middlesex: Penguin, 1969.

Gombrich, E. H., “The Evidence of Images”, in C. S. Singleton (ed.), Interpretation, Theory and Practice, Baltimore: Johns Hopkins University Press, 1969.

Gombrich, E. H., “The Visual Image”, Scientific American, vol. 227, no. 3, September 1972.

Gombrich, E. H., “The ‘What’ and the ‘How’: Perspective Representation and the Phenomenal World”, in: Richard Rudner and Israel Scheffler (eds.), Logic & Art: Essays in Honor of Nelson Goodman, Indianapolis: Bobbs-Merrill, 1972.

Gombrich, E. H., “Image and Code: Scope and Limits of Conventionalism in Pictorial Representation” (1978), in: Wendy Steiner (ed.), Image and Code, Ann Arbor: University of Michigan Press, 1981.

Gombrich, E. H., “Pictorial Instructions” (1990), in: E. H. Gombrich, The Uses of
Images: Studies in the Social Function of Art and Visual Communication, London: Phaidon Press, 1999.

Goodman, Nelson, Languages of Art: An Approach to a Theory of Symbols, Indianapolis: Bobbs-Merril, 1968.

Harms, Rudolf, Philosophie des Films: Seine ästhetischen und metaphysischen
Grundlagen (1926), Hamburg: Felix Meiner Verlag, 2009.

Hay, Katia, “Als die Bilder denken lernten: Neues zur Filmtheorie”, review in
Philosophische Rundschau, vol. 56, no. 2 (2009), discussing Thomas Elsässer / Malte Hagener, Filmtheorie: Zur Einführung, Hamburg: Junius Verlag, 2007; Mirjam Schaub, Gilles Deleuze im Kino: Das Sichtbare und das Sagbare (2003), München: Wilhelm Fink Verlag, 2006; Jörg Schweinitz, Film und Stereotyp – Eine Herausforderung für das Kino und die Filmtheorie: Zur Geschichte eines Mediendiskurses, Berlin: Akademie Verlag, 2006; Sönke Roterberg, Philosophische Filmtheorie, Würzburg: Königshausen & Neumann, 2008.

Heßler, Martina – Dieter Mersch (eds.), Logik des Bildlichen: Zur Kritik der ikonischen Vernunft, Bielefeld: transcript Verlag, 2009.

Hoffman, Donald D., Visual Intelligence: How We Create What We See, New York: Norton, 1998.

Hogben, Lancelot, From the Cave Painting to the Comic Strip: A Kaleidoscope of Human Communication, New York: Chanticleer Press, 1949.

Holšánová, Jana, “Dynamics of Picture Viewing and Picture Description”, in: L. Albertazzi (ed.), Visual Thought: The Depictive Space of the Mind. Part Three: Bridging Perception and Depiction of Visual Spaces. Advances in Consciousness Research. Amsterdam: Benjamins, 2006.

Holšánová, Jana, Discourse, Vision, and Cognition, Amsterdam: John Benjamins, 2008.

Horányi, Özséb (ed.), A sokarcú kép: Válogatott tanulmányok, Budapest: Tömegkommunikációs Kutatóközpont, 1982.

Horn, Robert E., Visual Language: Global Communication for the 21st Century, Bainbridge Island, WA: MacroVU, 1998.

Howell, Robert, “The Logical Structure of Pictorial Representation”, Theoria 40 (1974).

Humphrey, Nicholas, “Cave Art, Autism, and the Evolution of the Human Mind”, Cambridge Archeological Journal, vol. 8, no. 2 (1998).

Humphreys, Glyn W. – M. Jane Riddoch, “Features, Objects, Action: The Cognitive

Neuropsychology of Visual Object Processing, 1984–2004”, Cognitive Neuropsychology, vol. 23, no. 1 (2006), pp. 156–183.

Ihde, Don, Expanding Hermeneutics: Visualism in Science, Evanston, IL: Northwestern University Press, 1998.

Ivins, William M., Jr., Prints and Visual Communication, Cambridge, MA: Harvard University Press, 1953. Hungarian edition: A nyomtatott kép és a vizuális kommunikáció, Budapest: Enciklopédia Kiadó, 2001.

Johansson, R. – J. Holsanova – K. Holmqvist, “Pictures and Spoken Descriptions Elicit Similar Eye Movements during Mental Imagery, both in Light and in Complete Darkness”, Cognitive Science, vol. 30, no. 6 (2006).

Johnson, Mark, The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason, Chicago: The University of Chicago Press, 1987.

Kemp, Martin, Visualizations: The Nature Book of Art and Science, Oxford: Oxford University Press, 2000.

Kennedy, John M., A Psychology of Picture Perception: Images and Information, San Francisco: Jossey-Bass, 1974.

Kennedy, John M., Drawing and the Blind, New Haven, CT: Yale University Press, 1993.

Kepes, Gyorgy, Language of Vision. With introductory essays by S. Giedion and S. I. Hayakawa. Chicago: Paul Theobald, 1944. Hungarian edition: Kepes György, A látás nyelve, Budapest: Gondolat, 1979.

Kepes, Gyorgy (ed.), Education of Vision, New York: Braziller, 1965.

Kjorup, Soren, “George Inness and the Battle at Hastings, or Doing Things With Pictures”, The Monist, vol. 58, no. 2, April 1974.

Kjorup, Soren, “Pictorial Speech Acts”, Erkenntnis 12 (1978).

Knigge, Andreas C., Alles über Comics: Eine Entdeckungsreise von den Höhlenbildern bis zum Manga, Hamburg: Europa Verlag, 2004.

Kondor, Zsuzsanna, “The Mobile Image: Experience on the Move”, in: Kristóf Nyíri (ed.), Mobile Studies: Paradigms and Perspectives, Vienna: Passagen Verlag, 2007, pp. 25–33. Hungarian version: Zsuzsanna Kondor, “Mobil kép – mobilizált tapasztalat”, in: Kristóf Nyíri (ed.), Mobiltársadalomkutatás: Paradigmák – perspektívák, Budapest: MTA / T-Mobile, 2007, pp. 21–28.

Koskinen, Ilpo – Esko Kurvinen – Turo-Kimmo Lehtonen, Mobile Image, Helsinki: IT Press, 2002.

Kosslyn, Stephen M., Image and Mind, Cambridge, MA: Harvard Univ. Press, 1980.

Kosslyn, Stephen M., Image and Brain: The Resolution of the Imagery Debate, Cambridge, Mass.: MIT Press, 1995.

Kress, Gunther R. – Theo van Leeuwen, Reading Images: The Grammar of Visual Design, London: Routledge, 1996.

Latour, Bruno, “Visualization and Cognition: Thinking with Eyes and Hands”, in: Knowledge and Society: Studies in the Sociology of Culture Past and Present, Greenwich, CT: JAI Press, 1986.

Liebsch, Dimitri (ed.), Philosophie des Films: Grundlagentexte (2005), 2nd rev. ed., Paderborn: mentis Verlag, 2006.

Lopes, Dominic, Understanding Pictures, Oxford: Oxford University Press, 1996.

Maar, Christa – Hubert Burda (eds.), Iconic Turn: Die neue Macht der Bilder, Köln: DuMont, 2005.

McCloud, Scott, Understanding Comics: The Invisible Art, New York: HarperCollins, 1993.

McCloud, Scott, Reinventing Comics, New York: HarperCollins, 2000.

McKim, Robert H., Experiences in Visual Thinking, Boston: PWS Publishing Company, 1980.

McKim, Robert H., Thinking Visually: A Strategy Manual for Problem Solving, Palo Alto, CA: Dale Seymour Publications, 1980.

Mitchell, William J., The Reconfigured Eye: Visual Truth in the Post-Photographic Era, Cambridge, Mass.: MIT Press, 1994.

Mitchell, W. J. T. (ed.), The Language of Images, Chicago: University of Chicago Press, 1974.

Mitchell, W. J. T., Iconology: Image, Text, Ideology, Chicago: The University of Chicago Press, 1986.

Mitchell, W. J. T ., Picture Theory, Chicago: The University of Chicago Press, 1994.

Mittelstraß, Jürgen, “Braucht die Philosophie Bilder?”, in: Thomas Rentsch (ed.), Einheit der Vernunft? Normativität zwischen Theorie und Praxis, Paderborn: mentis, 2005, pp. 46–60.

Mullarkey, John, Post-Continental Philosophy: An Outline, London: Continuum, 2006, esp. ch. 5 (“Thinking in Diagrams”).

Mullarkey, John, Refractions of Reality: Philosophy and the Moving Image, Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

Muensterberg, Hugo, The Photoplay: A Psychological Study (1916).

Müller, Marion G., Grundlagen der visuellen Kommunikation: Theorieansätze und Methoden, Konstanz: UVK, 2003.

Neander, Karen, “Pictorial Representation: A Matter of Resemblance”, British Journal of Aesthetics, 1987, vol. 27, no. 3.

Neisser, Ulric, Cognitive Psychology, New York: Appleton-Century-Crofts, 1967, esp. part II (“Visual Cognition”).

Neurath, Otto, International Picture Language, London: 1936, repr. University of Reading: Dept. of Typography & Graphic Communication, 1980.

Neurath, Otto, Gesammelte bildpädagogische Schriften, ed. by Rudolf Haller and Robin Kinross, Wien: Hölder-Pichler-Tempsky, 1991.

Noë, Alva, Action in Perception, Cambridge, MA: MIT Press, 2004.

Novitz, David, Pictures and Their Use in Communication: A Philosophical Essay, The Hague: Martinus Nijhoff, 1977.

Nyíri, Kristóf, “From Texts to Pictures: The New Unity of Science”, in: Kristóf Nyíri (ed.), Mobile Learning: Essays on Philosophy, Psychology and Education, Vienna: Passagen Verlag, 2003, pp. 45–67.

Paivio, Allan, Imagery and Verbal Processes, New York: Holt, Rinehart and Winston, 1971.

Paivio, Allan, Mental Representations: A Dual Coding Approach, New York: Oxford University Press, 1986.

Paivio, Allan, Images in Mind: The Evolution of a Theory, New York: Harvester
Wheatsheaf, 1991.

Palló, Gábor, “Testimony, Pictures, and the Credibility of Science in the Mobile Age”, in: Kristóf Nyíri (ed.), Mobile Studies: Paradigms and Perspectives, Vienna: Passagen Verlag, 2007, pp. 169–178. Hungarian version: Gábor Palló, “Tanúság, képek és a tudomány hihetősége a mobilidőszakban”, in: Kristóf Nyíri (ed.), Mobiltársadalomkutatás: Paradigmák – perspektívák, Budapest: MTA / T-Mobile, 2007, pp. 153–161.

Panofsky, Erwin, Meaning in the Visual Arts, Garden City, NY: Doubleday, 1955. Hungarian edition: A jelentés a vizuális művészetekben, Budapest: Gondolat, 1984.

Pattison, George, Art, Modernity and Faith: Restoring the Image (1991), 2nd enlarged ed., London: SCM Press, 1998.

Polanyi, Michael, “What is a Painting?”, The British Journal of Aesthetics 10 (1970), pp. 225–236.

Pole, David, “Goodman and the ‘Naive’ View of Representation”, British Journal of Aesthetics, vol. 14 (1974).

Price, H. H., Thinking and Experience. London: Hutchinson’s Universal Library, 1953.

Rahner, Karl, “Zur Theologie des Bildes”, Halbjahreshefte der Deutschen Gesellschaft für christliche Kunst (München), vol. 3, no. 5 (1983), pp. 2–8, repr. in Karl Rahner, Sämtliche Werke, vol. 30. Anstöße systematischer Theologie: Beiträge zur Fundamentalontologie und Dogmatik, Freiburg: Herder, 2009.

Read, Rupert – Jerry Goodenough (eds.), Film as Philosophy: Essays on Cinema After Wittgenstein and Cavell, Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

Rombach, Heinrich, Leben des Geistes: Ein Buch der Bilder zur Fundamentalgeschichte der Menscheit, Freiburg: Herder, 1977.

Root-Bernstein, Robert Scott, “Visual Thinking: The Art of Imagining Reality”, Transactions of the American Philosophical Society, 75 (1985), pp. 50–67.

Roskill, Mark – David Carrier, Truth and Falsehood in Visual Images, Amherst: The University of Massachusetts Press, 1983.

Rothman, William – Marian Keane, Reading Cavell’s The World Viewed: A
Philosophical Perspective on Film, Detroit: Wayne State University Press, 2000.

Sachs-Hombach, Klaus, Das Bild als kommunikatives Medium: Elemente einer allgemeiner Bildwissenschaft, Köln: Herbert von Halem Verlag, 2003.

Sachs-Hombach, Klaus (ed.), Wege zur Bildwissenschaft: Interviews, Köln: Herbert von Halem Verlag, 2004.

Sachs-Hombach, Klaus (ed.), Bildwissenschaft: Disziplinen, Themen, Methoden, Frankfurt/ M.: Suhrkamp, 2005.

Sachs-Hombach, Klaus (ed.), Bild und Medium: Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft, Köln: Herbert von Halem Verlag, 2006.

Sadoski, Mark – Allan Paivio, Imagery and Text: A Dual Coding Theory of Reading and Writing, Mahwah, NJ: Lawrence Erlbaum Associates, 2001.

Sartwell, Crispin, “What Pictorial Representation Is”, British Journal of Aesthetics, vol. 34, no. 1 (1994).

Sassoon, Rosemary – Albertine Gaur, Signs, Symbols and Icons: Pre-history to the Computer Age, Exeter: Intellect Books, 1997.

Schapiro, Meyer, Words, Script, and Pictures: Semiotics of Visual Language, New York: George Braziller, 1996.

Stafford, Barbara Maria, Good Looking: Essays on the Virtue of Images, Cambridge, MA: MIT Press, 1996.

Stephens, Mitchell, The Rise of the Image and the Fall of the Word, New York: Oxford University Press, 1998.

Talbot, Daniel (ed.), Film: An Anthology, New York: Simon and Schuster, 1959.

Tresidder, Jack, Dictionary of Symbols: An Illustrated Guide to Traditional Images, Icons, and Emblems, San Francisco: Chronicle Books, 1998.

Tufte, Edward R., The Visual Display of Quantitative Information, Cheshire, Connecticut: Graphics Press, 1982.

Tufte, Edward R., Envisioning Information, Cheshire, Connecticut: Graphics Press, 1990.

Tufte, Edward R., Visual Explanations: Images and Quantities, Evidence and Narrative, Cheshire, Connecticut: Graphics Press, 1997.

Verstegen, Ian, “Arnheim and Gombrich in Social Scientific Perspective”, Journal for the Theory of Social Behaviour, vol. 34, no. 1 (2004).

Volp, Rainer, “Das Bild als Grundkategorie der Theologie”, in Theologische Realenzyklopädie, vol. 6 (1980).

Walton, Kendall L., “Transparent Pictures: On the Nature of Photographic Realism”, Critical Inquiry, vol. 11, no. 2. (Dec., 1984), pp. 246–277.

Ware, Colin, Information Visualization: Perception for Design, San Francisco: Morgan Kaufmann, 2000.

Wartenberg, Thomas E. – Angela Curran (eds.), The Philosophy of Film: Introductory Text and Readings, Malden, MA: Blackwell Publishing, 2005.

Wartenberg, Thomas E., Thinking on Screen: Film as Philosophy, London: Routledge, 2007.

West, Thomas G., In the Mind’s Eye: Visual Thinkers, Gifted People with Dyslexia and Other Learning Difficulties, Computer Images, and the Ironies of Creativity (1991). Updated edition, Amherst, NY: Prometheus Books, 1997.

Westerhoff, Jan, “Logical Relations between Pictures”, The Journal of Philosophy, vol. 102, no. 12 (December 2005).

Wollheim, Richard, On Drawing an Object, London: H. K. Lewis, 1965.
Wollheim, Richard, Art and Its Objects: An Introduction to Aesthetics, New York: Harper & Row, 1968.

Yazdani, Masoud – Philip Barker (eds.), Iconic Communication, Bristol: Intellect Books, 2000.

Zanker, Paul, Augustus und die Macht der Bilder, München: Beck, 1987.

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